Spike Milligan once described a tense wartime experience. During a dark and
sinister night, with the possibility of an imminent enemy raid, his patrol
nervously scanned the headland to which they had been assigned. With tension
thick in the air, they edged forward. ‘Suddenly’, he wrote, ‘nothing happened!’
I sometimes wonder whether ‘suddenly nothing happened’ might describe
an occasion when we have shown a video which we had confidently expected to have
a dramatic impact on an RE class. Come on, be honest!
In the far-off days before Powerpoint – or even video! – when the
latest wizardry might have been a slide show, I would sometimes start my
presentation with a picture that was deliberately upside down. This was on the
basis that since most slide talks I had ever attended had featured the
embarrassment of a key slide seeming to have come from Australia, it was best to
get it out of the way now! Somehow, the odd 14-year old offering to stand on his
head to interpret the picture for the rest of the class wouldn’t have helped!
For any presentation to gain maximum impact it must be meticulously prepared.
Perhaps we are too willing to embrace the benefits of modern technology
without accepting its demands. In my experience, although we should always allow
for the unexpected, the best responses from showing a video are usually
predictable. They rely on the teacher’s skill in presentation as well as the
programme on the screen.
If we plan to show a video, in the hope of something actually happening to
the knowledge or understanding within a key theme, we need to do as much – if
not more – advance preparation than for any other lesson. There’s really no
quick fix! The videos you might have in your RE cupboard may be real gems, but
they certainly weren’t made with class 10R in mind. And its producer may seem
blissfully unaware that what they really wanted was for the lesson to end so
that they could go out and kick a ball around.
Even modest videos are expensive to make. With squeezed educational budgets –
and with RE often being the Cinderella department when it comes to budget
allocation - HODs are very limited in terms of what can be bought. Consequently,
producers are unlikely to get sufficient returns to justify dedicated quality
productions honed to SACRE guidelines or the Specifications of your chosen
examinations board. Their videos may therefore be produced with more than one
audience in mind. Thankfully, there are exceptions but you know your class far
better than any producer so you must select, present and interpret what you show
in the way that best fits in with your own needs.
But we all have our own style, our own ‘take’ on the way to present a topic,
our own agenda of what to include and what to omit – regardless of the specifics
of the syllabus we follow. All the more reason not to hand precious class time
to a video producer who doesn’t know the class, probably has no idea of the
syllabus being taught and will have made his video for purposes other than
helping out with your RE curriculum.
So, where does this lead us? There are some very obvious golden rules – so
obvious, that I hesitate to list them. However, here goes: